In The Begining There Was Rap *

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             The Last Poets

 

Felipe Luciano, Gylan Kain, David Nelson and Jalalluddin Mansur Nuriddin are the last peots who held together to take a stand agianst prejudice, expressing  through thier music style a vociferous notice involving the dogma of racism.  The Last Poets were members of a rap group who met and became a musical company of entertainment and civil rights soldiers at arms on one occassion in May in the Bronx New York.  On May 19th, the birthday of Malcolm X.   An event which celebrated the slain civil rights leaders birthday led the group to aspire to record thier musical talent and created The Last Poets.  The celebration took place at 124th St. and Fifth Avenue in Marcus Garvey Park, 1968. 

 

   

Top: The Last Poets Umar Hassan Jalalluddin Mansur Nuriddin Below: Last Poet Jalalluddin Mansur Nurriddin performs for New York children  READ MORE HERE>

H RAP BROWN
 
L to R Taylor, Don Jelinik, Stu House, H. Rap Brown (Jamil Abdullah Al-Amin), Stokeley Carmichael (Kwame Ture), Jimmy Lytle Selma,Ala.1967, R. Free Jamil Al-Amin Photo of HRap Brown After Murder Sentencing.
 
Though it was later understood that atestations in court had not been consistent with prior testimonies, the message received by the jury that returned a guilty verdict was provided as evidence in the March 2000 murder trial during which H Rap Brown was accused of shooting two Selma police officer's, killing Deputy Ricky Kinchen and injuring Deputy Aldranon English , however, was not conclusive.  According to corroberated indicia deliberated before Judge Stephen B. Manis' court in Alabama, a drastic sentence was returned, yet , looming like a dark cloud over the case that sentenced H. Rap Brown to life in prison  were inconsistencies concerning the identity of the shootist and the ultimate pre-trial shooting death of the man identified by police as the murderer
GIL SCOTT HERON
 
On stage and the sidewalks of Harlem, in clubs and the music centers in New York, but the Gil Scott Heron revolution would not be televised.  Gaining popularity in the 60's when he recorded on the flip side of the song he expected to be the hit, '  Gil Scott Heron's 'The Revolution Will Not Be Televised,' cut and shaped his militant image out of this song's message , yet his words gave life to a culture's social movement.
 

 
 
It was in the tumult of the 60's that the songs of Gil Scott Heron reached out to a people embroiled in a battle, engaged in evolution, embracing an esteem of self  which represented the substance of the African American cultural revolution. With smooth, cool notes, his style landed on the ear like bubbles blown from a bottle.  His sound, an enchanting serrenade won the hearts of the men and women of the civil rights cultural movement era as he rapped down to them the sentiments of thier struggle in perfect iambic pentameter.  
 
To many African Americans of that time, the impression of Heron was that of a messiah, he was the harbinger of the word of the movement.  His name was dropped in the midst of conversation in most upper eschelon black social gatherings.  Knowing his name became a sort of badge, a metaphor for hip among the agitators who cliqued with the 60's.  His music was played at iterative tempo and the most intellectual among blacks and augers of other persuasions gauged the movement's events calenders by his releases.  Though he led and was followed, as frequently he was pointed out in such manner similar to Malcolm X,  Heron performed his music like a hero and sang songs with melody and meter to audiences of black, white and Jewish background,  to people with whom he shared identity,  cause and purpose.  While other musical groups dedicated much more of their work to rapping with clip, snappy timing , to which many danced and chanted and protested, Gil Scot Heron won the age with one hit that he hadn't even anticipated.  

Gil Scott Heron is also a renown author who,  through his literary aptitude has published 500 pages of written exposition which began as he composed the articles of  Small Talk At 125th And Lenox 1970, abstratcs of  The N-- Factor -A Novel 1972, and concluded with his latest literary work in 2000, Now and Then, The Poems Of Gil Scott Heron.

GIL SCOTT HERON

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